Huichol Mythology

A few precautions about Huichol Mythology may be useful. Considering Juan Real dictated the myths during the final iv months of Zingg'southward fieldwork, he had limited opportunity to independently confirm Existent'southward data with myths provided by ...

Author: Robert M. Zingg

Publisher: University of Arizona Press

ISBN: 9780816532032

Category: History

Folio: 352

View: 782

Best known for their ritual employ of peyote, the Huichol people of west-primal United mexican states carried much of their original belief arrangement into the twentieth century unadulterated past the influence of Christian missionaries. Amongst the Huichol, reciting myths and performing rituals pleases the ancestors and helps maintain a world in which arable subsistence and skilful wellness are bodacious. This volume is a collection of myths recorded past Robert Zingg in 1934 in the village of Tuxpan and is the virtually comprehensive record of Huichol mythology ever published. Zingg was the first professional anthropologist to study the Huichol, and his generosity toward them and political advancement on their behalf allowed him to overcome tribal sanctions confronting divulging secrets to outsiders. He is fondly remembered today past some Huichols who were children when he lived amid them. Zingg recognized that the alternation betwixt dry and wet seasons pervades Huichol myth and ritual as information technology does their subsistence activities, and his system of the texts sheds much light on Huichol tradition. The volume contains both aboriginal myths that attest to the abiding Huichol obligation to serve ancestors who control nature and its processes, and Christian-inspired myths that document the traumatic effect that silver mining and Franciscan missions had on Huichol social club. Offset published in 1998 in a Spanish-linguistic communication edition, Huichol Mythology is presented here for the first time in English, with more than than 40 original photographs past Zingg accompanying the text. For this book, the editors provide a meticulous historical account of Huichol order from almost 200 A.D. through the colonial era, enabling readers to fully grasp the significance of the myths free of the sensationalized interpretations found in popular accounts of the Huichol. Zingg's compilation is a landmark work, indispensable to the study of mythology, Mexican Indians, and comparative faith.

Mad Jesus

R. M. Zingg observed , " The personality of Christ that emerges from Huichol mythology is a far cry from His Christian image . " They subsumed Christianity into their own arrangement of myth and ritual . They take their own vision of ...

Author: T. J. Knab

Publisher: UNM Press

ISBN: 0826332048

Category: Social Science

Page: 279

View: 163

The book not simply provides an overview of the Huichol and the plight of Mesoamerican Indians but also sheds low-cal on traditional religion, indigenous Catholicism, messianic cults, urbanization, and indigenous conflicts with the modern Mexican country."--Volume JACKET.

Library of Congress Subject Headings

... Huichol mythology ( May Subd Geog ) UF Mythology , Huichol Huichol names USE Names , Huichol Huichol philosophy ( May Subd Geog ) UF Philosophy , Huichol BT Philosophy , Mexican Huichol pottery ( May Subd Geog ) UF Pottery , Huichol ...

Writer: Library of Congress

Publisher:

ISBN: OSU:32435081357816

Category: Subject headings, Library of Congress

Page:

View: 296

South and Meso American Mythology A to Z

huIchol Offerings made at a huaca occasionally included human sacrifice but were more likely other valuables: perhaps woven cloth, an object of carved stone or gold, or a llama or guinea pig, which was raised for nutrient.

Author: Ann Bingham

Publisher: Infobase Publishing

ISBN: 9781438129587

Category: Science

Folio: 176

View: 749

From the great Inca, Maya, and Aztec empires to the bottom-known cultures, such as the Olmec people, this revised edition of South and Meso-American Mythology A to Z is a comprehensive reference to the deities, legendary heroes and heroines, objects, animals, and places that make up the mythic lore of the peoples of Meso-America and South America. Larn how these peoples explained Globe's creation and which themes were mutual throughout the region. This new edition is now in total color for the beginning time.

In the Lands of Fire and Sun

Zingg, Huichol Mythology, xxvi. 57. Interestingly in 1938 the ejido president of San Andrés Cohamiata, Juan Antonio Carrillo, sent a telegram to a "Señor Presidente" complaining that their neighbors in Santa Catarina had intended to ...

Author: Michele McArdle Stephens

Publisher: U of Nebraska Printing

ISBN: 9781496205902

Category: History

Page: 216

View: 867

The Huichols (or Wixárika) of western Mexico are among the most resilient and iconic indigenous groups in United mexican states today. In the Lands of Fire and Sunday examines the Huichol Indians as they accept struggled to maintain their independence over two centuries. From the days of the Aztec Empire, the history of due west-key Mesoamerica has been one of isolation and a fiercely independent spirit, and one group that maintained its autonomy into the days of Spanish colonization was the Huichol tribe. Rather than assimilating into the Hispanic fold, as did then many other indigenous peoples, the Huichols sustained their distinct identity even every bit the Castilian Crown sought to integrate them. In confronting first the Spanish colonial authorities, and then the Mexican state, the Huichols displayed resilience and cunning as they selectively adapted their culture, land, and order to the challenges of multiple new eras. By incorporating elements of archæology, anthropology, cultural geography, and history, Michele McArdle Stephens fills the gaps in the historical documentation, teasing out the indigenous voices from travel accounts, Castilian legal sources, and European ethnographic reports. The effect is a thorough examination of one of the most vibrant, visible societies in Latin America.

Library of Congress Subject Headings

... Huichol Huichol literature ( May Subd Geog ) [ PM3841 ) BT Mexico — Literatures NT Children's writings , Huichol Huichol mythology ( May Subd Geog ) UF Mythology , Huichol Huichol names Utilise Names , Huichol Huichol philosophy ( May ...

Author: Library of Congress. Cataloging Policy and Support Office

Publisher:

ISBN: UOM:39015079817048

Category: Subject headings, Library of Congress

Page:

View: 950

The White Shaman Mural

Huichol. Mythology. Figure v.ane. Motif I (A001–A005): Pilgrims, primordial ancestors, and cosmic. The Huichol are a Native American people living in western United mexican states. In their Uto-Aztecan language, which is closely related to that spoken ...

Author: Carolyn E. Boyd

Publisher: University of Texas Press

ISBN: 9781477310304

Category: Social Science

Page: 219

View: 990

Folded plate (1 foliage, 39 10 61 cm, folded to 19 x 16 cm) in pocket.

Report of the Mr  and Mrs  Henry Pfeiffer Expedition for Huichol Ethnography

Grandfather Burn is the singing shaman , whose singing of the Huichol myth of the Sunfather " tamed him " ( the Lord's day - father ) . This myth was revealed to Granddad Fire by the Sun himself , soon after his birth .

Writer: Robert Mowry Zingg

Publisher: Kraus Reprint. Visitor

ISBN: IND:39000002947773

Category: Huichol Indians

Page: 826

View: 896

Intoxication in Mythology

In Central American Huichol mythology, the heaven god and creator who gave the Huichol peyote. Tahuehuiakame sent Majahuagy to earth to teach humans the arts and agriculture, a new code of laws, and a more humane religion to alive by.

Author: Ernest L. Abel

Publisher: McFarland

ISBN: 9780786424771

Category: Social Science

Page: 220

View: 352

Myths from the ancient world unremarkably take some supernatural element, a component often generated from a particular intoxicant. These substances promoted a diversity of states including possession by the gods, liberation of the soul or a communion with the spirit world. From Acan, the Mayan god of intoxicating drinks, to Zagreus, the first incarnation of the Greek god Dionysus, this encyclopedia encompasses intoxicant-related stories from world mythology that explain the origins of a particular intoxicant or how that intoxicant was involved in creating a particular culture. Entries are arranged alphabetically without regard to category (due east.g., gods, intoxicants, places, and rites). Different versions of a single myth are presented when pertinent to the overriding theme. Entries tape the referenced story, the identity of the culture in which the myth originated, and when applicative, information about related plant sources and pharmacological effects. Cross-references are noted in bold and sources announced at the end of each entry. Appendices grouping entries by category and by place of origin.

The Shaman   s Mirror

Ramón was proving to exist a knowledgeable and enthusiastic source of information on Huichol mythology and shamanism. Furst and Myerhoff recorded Ramón'south myths and stories. Their productive collaboration led to a considerable output ...

Writer: Hope MacLean

Publisher: Academy of Texas Press

ISBN: 9780292742505

Category: Social Science

Page: 311

View: 399

Huichol Indian yarn paintings are one of the world's cracking indigenous arts, sold effectually the world and advertised equally authentic records of dreams and visions of the shamans. Using glowing colored yarns, the Huichol Indians of Mexico paint the mystical symbols of their culture—the hallucinogenic peyote cactus, the blue deer-spirit who appears to the shamans as they croon their songs around the burn down in all-nighttime ceremonies deep in the Sierra Madre mountains, and the pilgrimages to sacred sites, high in the key Mexican desert of Wirikuta. Promise MacLean provides the showtime comprehensive written report of Huichol yarn paintings, from their origins as sacred offerings to their transformation into commercial art. Drawing on twenty years of ethnographic fieldwork, she interviews Huichol artists who have innovated of import themes and styles. She compares the artists' views with those of art dealers and government officials to prove how yarn painters respond to market influences while still keeping their religious beliefs. Most innovative is her exploration of what information technology means to say a tourist fine art is based on dreams and visions of the shamans. She explains what visionary experience ways in Huichol culture and discusses the influence of the hallucinogenic peyote cactus on the Huichol'southward remarkable use of color. She uncovers a deep structure of visionary feel, rooted in Huichol concepts of soul-energy, and shows how this remarkable conception may be linked to visionary experiences as described by other Uto-Aztecan and Meso-American cultures.